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Monday, October 31, 2011

Little Babies - Sweet Babies


The little baby is my grandmother Leatha Clarissa (Ashley) Harriman, born November 1906

The baby shoes belonged to my grandfather Gilbert Samuel Harriman, born November 1898

Both items were items were given to me by my Aunt Mary. 
Mary is the daughter of Gilbert and Leatha Harriman.

I stuffed bit of honey colored organza inside the shoes to fill out their shape.  Am I losing my mind, or can you see creases in the leather defining his little toes? 
Ah Mary, thank you so much for letting me display these wonderful treasures in my home.


My grandfather
detail of Gilbert Samuel Harriman, c1902
Lebanon, Missouri
Gilbert, age 4 - 1902
Family Reunion, Lebanon Missouri
Backrow standing: Walter Ray Harriman, Nettie Viola Harriman, Francis Marion Harriman, Benjamin Hollandsworth husband of Pearl Harriman, Pearl Harriman, John William Harriman, Harley Harriman
Seated adults: James "Howard" Harriman and his wife Edna Irene (Snow) Harriman and their son Gilbert Samuel Harriman--my grandfather. 
Center of the photograph is Mother, Mary Elizabeth (Stevens) Harriman, patriarch of the family. 
Father, Samuel Harriman (deceased, not shown in this photograph)
Next to Mother, is Anna Harriman Butts and her husband James with their infant son Ray.
Bottom right is the youngest sibling: Verna Mae Harriman Mills.  Verna had 13 children; she named her 11th children Finis (the end), but it wasn't.


detail, 1907 photo of my grandmother
Leatha Clarissa (Ashley) Harriman

1908 photo of my grandmother Leatha Clarissa (Ashley) Hariman
with her parents Annie Laurie (Miller) Ashley, and William Arthur Ashley

We are so blessed to have many remarkable images and personal family items that my Aunt Mary gave me to display in our old Victorian.
It makes me smile every time I walk by.  Sometimes I stop to touch them.

There is another trunk of family items to photograph and post (heirlooms from Aunt Mary)
And one more suitcase of old, old photographs to scan and post that Dad found and sent my way.
Oh my, I'll do my best to get the task done and load them up on ancestry.com

Tuesday, October 25, 2011

Finding Gladys; 1902, 1903, 1906

I found Gladys . . . isn't she lovely?

Gladys 1906 - age 20

Under some unusual circumstances I acquired 12 original drawings made by Gladys.  The drawings were signed and dated from 1902-1903.  A friend of a friend sent them to me as a gift to decorate our old Victorian.

When the drawings arrived I immediately noticed the artist's signature and went right to Ancestry.com to see if I could find Glady's ancestors.  In minutes I found two living granddaughters Rachel and Julia and sent them an email.  Next day I received a reply:

I am Julia, Gladys's granddaughter. I wonder if we have the same Gladys??!! My grandmother was born and lived all her life in Portland Maine. She was born in 1887 and died in l980 at the age of 93. She attended Wellesley at the age of 16, graduated, then married  . . .  around the age of 20 and had three children including my mother . . . who just died at the age of 100.

Gladys . . . was very well educated, traveled a good deal, and wrote poetry. She was also involved in the suffragette movement here in Portland. Our Gladys was in fact an amazing artist, and sketched all her life. I have a book she made of drawings of freshman student life when she was at Wellesley College, a copy of which is in the college art collection. I don't know if she ever actually studied drawing or drew from models.

. . . I wonder how her drawings would have made their way out to your area of the country! How do you think we could clarify if this is the same Gladys?

Let me know how you think we should proceed. This is so exciting! I will also try to telephone you.
 
Many thanks,
Julia
 
I scanned the drawings and signatures and emailed a few images to Julia.  Below is an image of one of Gladys' drawings
 
Miss Green Posing, 19 Nov 1902
 
I received the following response from Glady's granddaughter Julia:
 
  I am so excited to receive your email! The handwriting and the drawings are clearly those of my grandmother Gladys- I would recognize them anywhere. I have been going through all her letters and her sketchbooks this fall. She had a very characteristic drawing style when it came to facial features and clothing . . .
 
Thank you Julia.  Thank you for sharing memories of your grandmother Gladys and giving me permission to post about our "chance" meeting.  Finding Gladys was a wonderful journey.
 

Tuesday, September 20, 2011

1907 Victorian Halloween Party

"A Halloween Party at Moss Point at the Residence of Dr. W. R. Thompson" (newspaper clipping)


By far the most interesting social event that Moss Point young folks have been treated to in a long while was the Halloween party given at the home of Dr. W. R. Thompson Thursday night. About thirty young people assembled at the home of Mrs. Fred Herrin, where the young ladies rigged themselves as ghosts to escort the young men to Dr. Thompson's residence. The crowd was met at the door by a gruesome witch, who pointed the way up the dimly lighted stairway with her broom.
 
The young ladies preceded the young men down the stairs into the parlor, where they seated themselves in a circle on the floor. The gentlemen were then allowed to enter and quiet a lively time was had guessing the identity of the ladies. The house was beautifully but weirdly decorated with ferns, golden rod and autumn branches, with here and there in the most unexpected corners pumkin and guord jack-o-lanterns smiled and gnashed their teeth.
 
In the parlor arch doorway there hung a portiere of apples on strings of varying lengths with a horse shoe hung in the midst, through the prongs of which each guest tried to throw three tiny apples. Those who succeeded were assured of phenomenal luck for the ensuing year. In another room a big pear shaped pumpkin hung, on the shining surface of which were cut all the letters of the alphabet. This was rapidly twirled and the guests in turn tried to stab some letter, thereby finding the initial letter of one's fate.
 
Pinned to the wall in another room was a sheet on which was mounted a large figure of a witch riding her broom. Scattered promiscuously over this were small envelopes containing fortunes. The guests in turn were blindfolded and allowed to seek and find his fortune by touching the sheet with a broomstick. The one securing the fortune placed in the witches handreceived as a prize a lovely little kitten.
 
The dining table was draped with a snowy white cloth. In the center of which was placed a mammoth pumpkin which had been freed from the meat and cocircled with grape vines to which clusters of grapes were attached. A large bowl containing punch was placed within the pumpkin shell, this being placed upon a lovely center piece made of autumn leaves. Running from this to each of the four corners of the table was a vine made of the conventional leaves at the end of which was placed a red apple candle stick on a mat of leaves.
 
Above the punch bowl hung a lovely hoop made of vines and all sizes of jack-o-lanterns with staring eyes and wide open mouthes. In one corner of the dining room was a beautiful gypsy tent where a lovely young lady told the most bewitching fortunes. Delicious refreshments were served and all kinds of quaint Halloween customs indulged in until the wee small hours.

Monday, August 29, 2011

It's Only a Bird . . .

I found Henry in a shop called Ingeborg's Cupboard, downtown Waupaca. 


He was sitting high on a shelf in the store.

I asked the store owner to bring him down for closer inspection.  Wow, he's a pretty bird. 

I call him Henry, after the previous owner's son, and because I like the name.

Henry Wrolstad 1882-1903

I put Henry the Bird in the kitchen, on top of the east wall of cabinets--about the same height as he appeared in the store.  Every once in a while, someone noticed the bird looking down at them. 
Time to give Henry some attention.


Henry is sits on a 12" post, mounted on a piece of plywood. 

This month I moved Henry to the red dining room.  Gathering some fern, and fall colored orange-gold leafed brown branches, I covered the plywood base with moss and foliage. 

Henry takes up a heap of space on the mantle,
but all dressed up here he is center stage in the dining room.


Henry Makes Special Appearance for House Guests:
I hosted a group of 70 guests August 13, welcoming the Wrolstad Family Reunion.  Their ancester John Olsen Wrolstad built our house in 1893.  The dining room table was filled with hydrangea, accompanied by trays of butterscotch oatmeal cookies, and iced lemonade made by my mother Lorraine.
I was so busy with guests, I forgot about photographing the event.  What was I thinking???

I want to thank the Wrolstad Family Reunion for taking time to tour our house, and for the kind words about the whole house restoration. 


I want to say hello today, to a new friend Junelle. 

Hi Junelle, 
When will you come visit us at Wrolstad-Quien Victorian? 

Tuesday, August 2, 2011

East Room Revisited

I pass by the East bedroom every morning.  As a guest bedroom it is spacious and comfortable.  Decorated with some personal items from the previous owners.

Above is the entrance to the East bedroom (from the hallway, I'm currently working on).
The entire house has same woodwork style--a sawtooth crown with a spoon carved daisy.

Let's go in, and take a look.

A walnut dressing table holds some vintage and antique items.  A statue of Chattelaine found in an second-hand bookstore caught my attention.  I walked by her for three years.  I asked about purchasing her over the years but she was not for sale. 

If you ask, sometimes you receive.  I must have asked about the statue at least 10 times.  The last time, the clerk felt motivated to call the owner about my request offer.  She shows a bit of attitude--that must be why I like her.


Toile fabric for sewing the drapes and pillow shams.

Cheap and Free
Good Bargains

I purchased the comforter at a second hand store for $25.

Then I found a bolt of the same fabric at Hancock, $6 per yard
and made the drapes and pillow shams.

The Cream and Black Toile comforter was the jumping off point for decorating the East bedroom.
I selected a dark charcoal wall color, and painted woodwork in cream.

Things I love about this room:
The winter white antique bedspread from St. Vincent de Paul Thrift Shope - $49 barely covers pale yellow sheets.   Grandma Eva's hall phone still has her number imprinted on the dial, Dickens 35-123.  The scalloped bedside table $10

Detail of the antique bedspread


Another thrift shop find--an antique foot rest.  For me, a short person hopping up on to a tall mattress, the foot rest is THE BEST.  I didn't recover it, even though the ivory fabric is stained. 
I like it stained.  I appreciate its function. 

The sleigh bed sits on a large off-white area rug over an expresso painted floor.

On another treasure hunt, I found a pair of old lamp shades in such ragged shape, I forgot about photographing them before ripping off the tattered stained remains of what used to be ivory satin.

Using left over drapery fabric, I covered one of the shades in linen, a cream and black toile.
It took forever to hand sew this shade.  And truth be told, I covered it first in white brocade and didn't like it--and tore it off, to start all over again with the toile. 

I always have good collaboration with Hancock Fabrics employees, and they helped me pick out two layers of fancy black trim.  We get serious when we get down to the details. 

You know, I had nice toys when I was a kid.
BUT, now I have awesome toys at age 60!


 My friend Kathy and I found a little whole in the wall shop during one of our weekend treasure hunts. 

In a corner sat this dusty vintage lamp base.  And the lamp base said to me, "come here, we need to talk."

The price was $25.  I almost didn't buy it because $25 is twice what I usually pay. 

Then I rubbed my hand over the high relief design on the glass base.  Yup, gotta have this one. 

Washing it up, adding missing crystals--its just a fabulous piece.  That's why I fussed over it, pairing it with just the right shade, fabric, and trim.

Check out the scroll work on the base holding the glass.

This 9' x 12' off white area rug was $99 at . . .
wait for it . . .
Fleet Farm, Stevens Point

What a shocker.  Quality on the Cheap.
Believe me, this rug has a sumptuous feel on bare feet.
A great bargain

I purchased more of those large area room rugs in different colors
at Fleet Farm for the other bedrooms.


In the corner is a rather fine looking floor lamp, purchased in a  Poi Sippi thrift shop for $35.
I'll attached some detail photos.

I love the walnut 4-drawer dresser, won at auction (holding my breath) and getting it for $100.  The drawer operates without flaw, and the finish is remarkable.


Ragnhild Bertine Quien's teacher's briefcase sits on a chair in the East bedroom (her room when she lived in our house). 

It was quite a surprise to receive an email from Laurie, owner of Reflections Antiques, questioning me about a briefcase she had acquired with intials R.B.Q.  I jumped at the chance to buy it and bring it home to Ragnhild's room. 

I found a couple of Ragnhild's handwritten letters and keep them inside her briefcase.

Above and Below are details of the floor lamp.  The base reminds me of a decorated cake.

The bridge of the lamp is way cool. 



The Smith Corona typewriter - do you have an idea what year it was manufacturered?
This Westinghouse electric fan has original paint, and someone's original finger prints that had some white paint that stuck to the finish.  The fan works great; I gave it to Jon a year ago (gift).
Someday the fan will leave the East bedroom and make its home in Jon's man cave.

Isn't it wicked how heavy the old typewriters were?

Beaded shade.  I call it a hula shade.  Is there a special name for this type of shade?


This is Ragnhild Quien's sister.  Her name is Bessie Pauline (Quien) Pasternacki.  Bessie married Leon Pasternacki a dentist, and known as the youngest mayor ever of Stevens Point, Wisconsin.
Bessie married Leon Pasternacki in 1914.

I was in a local antiques store.  The shopkeeper told me, "I believe I have a couple photographs of women who used to live in your house."  I was happy to see they were a 1906 Scandinavia Academy graduation class photo--students with their teacher Miss Ragnhild Quien,
and 
The other photo was this very lovely photo of Bessie Pauline, probably taken around 1915 after she married Leon Pasternacki.  I keep it in the East bedroom where the light is low and I can shelter and display her beautiful portrait.

Monday, August 1, 2011

Making a Shopping Bag with Pockets (Tutorial with Photos)

I like making purses and shopping bags from upholstery fabrics.

I'm going to show you step by step, how to make a shopping bag.

Are you ready?  Here we go.



Paper or Plastic?  No Thank You.  I brought my own bag.

This 15" bag has two 8" pockets wide enough to hold your Kindle snug and bottle of water upright--ready to grab quickly.  Those are two things I want to have in their own conpartment rather than swimming around at the bottom of the bag.

This is a simple bag to make, and you can alter the dimensions to make any size bag you need.

1- Selecting Fabric

I found 1-3/4 yards of the window pane upholstery fabric in the clearance bin.

And a solid gray-brown linen fabric for the lining too, and purchased 2 yards.

I have enough material from these two hunks of fabric to make (4) shopping bags.  One for me, and three for gifts for friends. 

Great colors for fall.  Ice blue and gold squares, wrapped with a bit of burnt sienna, and framed in a gray-brown.

Tip: When I took the fabric to the cutting table,
I asked the clerk for her advice:

What do you think about this upholstery fabric to sew a shopping bag?

Will I need a special machine needle? 

Could you clip a small piece of the fabric so I could test it for fraying?  (raveling threads)

Do you think this fabric will fold and press well?  (to make handles)

---

2- Layout and Cutting Fabric

I layed the fabric out on my kitchen table, with the selvages at top and bottom.  The frayed edge shown in this photo above is the selvage edge.

Most upholstery material is 54" to 60" wide.  My fabric is 54" selvage to selvage.

I'm in luck, the window panes on this fabric are dead on straight, and I use my scissors to straighten the end of the fabric (right).

I measure 15" with a simple ruler and using the window panes for a guide, I cut the entire fabric with scissors from selvage to selvage.

Fold the fabric, join selvages.  Hand press across the bottom and use scissors to cut the fabric into 2 pieces.


The result is (2) pieces of fabric 15" wide, and 27" long.  With these (2) pieces of fabric I will make two identical shopping bags . . . (best use of fabric and my time).

Above photo:  I fold each piece in half, and set them aside. 


Above Photo: Cutting the handles

To make (2) shopping bags, I need two strips of fabric 4" wide.  I measure with ruler, and cut the 4" strips using the window panes as a guide



At this point, you'll have (2) bag exteriors cut, and (2) handles cut.

---

3-Layout and Cutting of Lining with Pockets


I decided to use the 15" x 27" window pane bag exterior fabric as a template.  First, fold the brown linen fabric in half, joining the selvage ends at the top, and the fold at the bottom. 

Lay the bag exterior on top of the brown linen fabric and with a ruller and pen, mark cutting lines left and right. 

Before removing the window pane fabric template, 
measure 8" to the left with a rule and draw straight line with a pen. 
Cut only  one 8" strip to make (2) shopping bags.

Remove window pane fabric template.  At the fold at the bottom, cut lining fabric in half. 

At the fold line at the bottom of the 8" strip, cut fabric in half. 
Fold pieces and set aside.

---

Review:
Two Bag Cut Outs Finished

Above photo: fabric pieces folded in half for (2) shopping bags

2 - window pane exterior bags
2 - window pane handles
2 - solid brown linen liners
2 - 8" deep pockets
thread
---


4-Serging Handles and Pocket Fabric



Serge all four sides of the pocket and handle fabrics.
If you don't have a serger, using a zig zag stitch.

Secret: serging or zig zagging is an important step!

Why?

The solid brown linen fabric wants to ravel as soon as finished cutting the 8" strips.  To stop the raveling, you must serge or zig zag stitch the edges. 

The serged line also serves as a 1/4" turning guide.  You'll see what I mean as we continue on.
Detail of finished serged edges
---


5-Sewing the Pockets


Put one strip of the pocket fabric on the ironing board.  Turn 1/4" serged edge and press.  See photo below.




Next, fold the pocket in half, right to left.  The fold will be on the right.

Sewing:
Think of the photo above as an "L". 
Start at the top of the L and sew down to the bottom,  Then sew the bottom of the L.
Do not sew the top

After you sewed the "L", turn the pocket right side out. 

Use the eraser end of a pencil to articulate the corners.  The corners are a bit stubborn when turning and need just a bit of fussing.

Above Photo:  Turning the pocket right side out.

Once you've turned the pocket right side out . . .

Fold the pocket in half, right to left.  Press the entire pocket.

Pressing the pocket produces a crease line at the fold, and the crease line will be your sewing guide line as we continue.

Tip: pressing as you go produces the best possible results on any sewing project.

The next time someone says, "wow, you are such a great sewer", you can raise your right eyebrow, and smile to yourself because you know the secret to being a great sewer--PRESSING as you sew.
Open the pocket and notice the crease line in the center. 

Notice in the photograph above the right corner is needs a bit more fussing to make a better corner.  Do it now while you have an opportunity.


Above is the solid brown linen liner for the bag.  Serge the top and bottom of the fabric (short ends) as shown in the photo above.  (I folded the fabric to photograph the short ends serged).

With the lining folded in half--the fold will be at the bottom. 

 Press the fold to make a crease line for pinning pockets to the lining.  The crease line is also the bottom of your shopping bag! 


Open the lining of the shopping bag.

See crease line.

Pin pocket 3" above the crease in the shopping bag.

Make sure the pocket opening is placed at the bottom (see photo above).


Begin sewing pocket to lining.  Start in the center, using crease line in the pocket as a sewing guide.  Sew two lines of stitch on either side of the crease.

---

Use the illustration below.  Think of sewing the pocket to the lining as sewing a BIG "U".

Starting at the right *, sew from the top corner down to the bottom of the pocket.

At the bottom of the pocket, pivot* and sew acoss the bottom of the pocket to the left corner. 

At the left corner*, pivot and sew finishing the  BIG "U"




Clip all the threads (front and back)

Fold the bag in half.  In this photo the bottom of the bag is shown at the top of the photo.
Sew (or serge) the side seams (left and right).

At the opening of the bag, fold a cuff 1" or so, and PRESS.

Set the lining aisde.
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6-Sewing the Exterior Bag

Serge the top and bottom (short ends) of the window pane bag exterior.  The short ends are 15" width.


Turn the fabric inside out

Fold fabric in half.

Join the serged ends (short ends 15")

Sew (or serge) side seams, left and right.

Turn the fabric 1" or so, to form a cuff and PRESS.

Open the bag, and turn the bag inside out.

Above Photo: Turning the Bag Inside Out.

---

7-Inserting the Lining into the Bag


The bag is turned to its right side.  Now is the time to use a chop stick or eraser end of a pencil to articulate the corners of the bag. 

Stick your hand inside the lining, and insert lining into the window pane fabric.
Begin at the side seams.  Nearly match the side seams of the lining and the bag.  If you were to match them exactly the two thick seams would be too bulky to sew over. 

Pin the lining fabric to the exterior bag fabric.  Nearly match the folded cuffs.  I like the 1/8" reveal as shown here. 

Set the bag aside. 
---

8-Constructing the Handles

Remember those 4" strips you cut? 

Get ready, we're going to make them into handles for your shopping bag.

You've already serged all four sides of the 4"handle strip. 

With a rotary cutter, measure and cut 3-1/4" inch strips of crisp interfacing.  Get heat fusible, (iron on) firm weight interfacing to make handles.  The handles will be the work horse of your shopping bag.

Iron the 3-1/4" strips of fusible interfacing to the backside of the window pane fabric.

Using the 1/4" serged edge as a guide, turn the edges and press.

In the next three photos, you'll see me folding the strip in half, and pressing it again.


Now you're ready to sew two lines of top stitching to form the handles.

At the sewing machine, (left) the first row of top stitching is done.  Now I'm top stitching the right side.

The strip you top-stitched is 54" long.  Fold it in half lengthwise, and with the scissors cut to form 2 handles. 

You have two handles for your shopping bag.  Measure 1-1/2" from the end of each handles.  Mark in this manner with a pin.  There will be four ends.

---
9-Insert Handles into Bag


Start at the (right) the exterior bag, measure 3 inches, and mark with a pin.

Take the handle, and insert it BETWEEN the window pane fabric and the lining fabric. See next photo.

Insert the handle until the yellow pin matches directly under the pink pin.
See next photo to illustrate.


With your left hand hold the handle firmly in place, and lift the handle upward and lay it on the surface of the bag.




Lifting upward, put a pin where my thumb is--this will hold the handle in place.

Below, the pin is put in place.

Below: measure 3" from the left side seam, place a pin to mark, and insert handle.

Lift handle, to expose lining and place a pin to hold handle in position for sewing.

Make sure the handle is arch correctly.  Here's how to check.

Lift handle upward at the center.  The inside curve of the handle should be one fluid line.

Another vision test to make sure handle is on correctly. 

Lay bag down, and pull at the center of the handle.  Look at the inside curve of the handle to make sure it is one fluid line with no twists.

Now that you have one handle pinned in place, we'll use their position as a guide to insert the second handle.

---

Flip the bag over



Insert the second handle BETWEEN the window pane fabric and the brown linen lining.













Do the handle test again, to make sure the inside curve of the handle is one fluid line.


The bag is ready to sew the lining and the handles.  One operation!

I've lifted the camera so you can see the brown linen lining with pockets.

--

TURN THE BAG INSIDE OUT TO SEW

10-Finishing the Bag

Begin sewing at the side seam, BUT chose to start an inch before the bulky side seam, or an inch after the bulky seam.  Remember: a smooth start makes for a smooth finish.

I stitch 1/4" from the window pane fabric.  Why?  Because there is a 1/4" guide imprinted on the sewing foot, and it is easy for me to see.  Because the brown lining is pinned 1/4" from the window pane fabric, I end up with a precise 1/8" line on the lining.  Nice look.

Here is a closer look.

A second row of stitching catches the handle fabric, giving the handles extra carrying strength.


I remove pins as I go along.  The pins are placed about every three inches.

Tip:  Stitch 3" at a time.  Stop, remove pins, and straighten fabric, and handles. 

If you follow the three S's,
Stich 3"
Stop and remove pins
Straighten fabric

You'll sew perfect garments every time!

After the second row of stitch, clip threads and turn the bag right side out.



The finished bag needs some pressing, but otherwise its ready to go.





Hope you like the tutorial and photos.

If you want to see a bag made with a closure (tongue).  Let me know.  I'll add more photos to the tutorial.