I finished this Tangerine flavored queen size quilt. It was sitting in the studio for a month. I confess, I made the backing twice because the first backing offered little contrast. The second backing was much better. I photographed the quilt on the Stearns and Foster mattress in the north bedroom downstairs. It is such a comfortable bed--and a great place to take a nap.
There are lots of long arm quilters like me who "float" their quilts. This means the backing is rolled snug between the take up roller and the belly bar, while the batting and top are draped and smoothed by hand. Clamps at the right and left margins provide tension during quilting.
Close Up of Feather Bouquet design.
After stitching "S" spine I back track with feathers on one side of the stem--then back track again adding feathers to the other side of the stem.
I created the Feather Bouquet design on a whiteboard with dry erase markers. The size of the design sequence 8" high by 12" wide is based on the size of my whiteboard. I spend hours developing a continuous line sequence, and more hours repeating the design until I develop the muscle memory for great spacing and fluid motion.
My expectations are stitching 3 queen size quilts using the same design sequence. After that, I'm ready to go on to a new design.
The hand stitched appliqued flowers and glass beads remind me of the orange and yellow Fritillaria Imperialis we grew at our former house and yard on Elm Valley Road.
I always insert a panel to add interest to the backing fabric.
Repeating fabric from the quilt top onto the backing not only looks good, it adds and overall 10" or more width, providing a minimum of 4" extra backing material at the left and right margins while long arm quilting on the frame.
The extra 4" of backing material at the left and right margins is where I use side tension clamps to keep the backing fabric snug, smooth.
Three quilts are finished now with the Feather Bouquet Design: 1) Scrappy Quilt with Turquoise and Orange Corner Stones, 2) Earth Tones-Framed Nine Patch, 3) Orange Fritillaria Quilt (above).
My next project is the Blues Yo Yo queen size quilt, and features my random long arm quilt designs based on Zentangle. And, I am inspired by Karlee Porter's new book "Graffiti Quilting, A Simple Guide to Complex Design."
Blues Yo Yo is another variation of scrappy quilts I love to make. Identical blocks were built from eight different fabrics.
A simple technique: Begin with 10.5 squares of two companion fabrics, right sides together. Sew 1/4" around the perimeter, press with heavy spray starch. Cut twice diagonally. Press open half square triangles. The finished block is framed in white cotton, and decorated with a variety of fabric scraps hand sewn into yo-yo(s) with buttons.
Heavy Spray Starch keeps fraying edges (strings) at bay. The crisp fabric is easier to cut, sew, and best of all--the spray starch keeps biased cuts from warping out of shape.
On the frame, ready to begin the long arm quilting.
The long arm quilting fun begins!
These next photos are random doodles, using my best continuous line short designs learned from Zentangle examples in books, and valuable live demonstrations on YouTube.
Crossing over lines is inevitable, especially when I consider all the rules, and breaking of rules I make up as I go along. This is "where" and "how" I learn to graffiti quilt--by just getting in there and doing it.
There are some rules I follow when planning quilts. In this quilt I want the watery blues and greens to ride along with lots of light/white fabrics. I did this on purpose so I could use white quilt thread and the result is the quilting design is readily seen in the dark and light fabrics.
Notice how the middle tone fabrics hide the quilt designs? Yeah, and its tough seeing where the heck I'm stitching in those middle tones.
Next year I know I'll groan a bit, looking back at my first attempts at random quilt doodle. But, I'll be glad that I tried something new.. Right now my mission is to discover the good, bad, and ugly, and improve. I'll be showcasing my favorite doodles on future quilts. And, the doodles that weren't so great--I'll find a way to improve them. For the moment I'm feeling excitement.
Hurray for corners on quilts!!! I always start at the top right corner of the quilting frame doing edge to edge free style work. Above you can see I started out with a bang. Maybe too much bang, eh? As I moved away from the corner I relaxed more--allowing a bit more spacing. The good news, the corner of the quilt will be draped on a bed, near the floor. Hurray for corners!!!
As I quilted away from the corner I introduced some McTavishing (curvy worm like echoed lines), and worked out some strategies for small designs to spin around the yo-yo. I could have played it safe and not added the yo yo (s) until the quilting was done. But for me, I needed to add those important elements to fulfill my vision of what the quilt would become.
When in doubt of my next move, I added my free style Feather Bouquet design with it's elegant "S" stem and feathers.
Also, I feathered off of the pebbles following the rim of McTavishing echoed lines. Ooooo, I like. I'll have to remember this combo. Glad I took these detail photos for future reference.
Yep, those Feathers/Pebbles/McTavishing are cool.
No time to get frightened over a missed spot--I recovered quickly with a large meander to maintain airy spacing.
I see in these photos--there are orphan threads clinging here and there--where the heck did they come from?
Upper right hand side--a big pointy leaf with many echoes, and outlined with pebbles. I pray, my pebbles one day will be great. The skill takes time. But I'm really pumped about learning how to do them.
Random doodles colliding, good spacing. I'm happy with the first row of quilting. Not a bad start.